Beaver & Krause - The Nonesuch Guide To Electronic Music

A1 I. Peace Three
II. Signal Generators
A. Sine Waveform
A2a 1. Slow-Motion Audible Example
A2b 2. Composition
A2c 3. Harmonic Synthesis
A2d 4. Non-Harmonic Synthesis
B. Sawtooth Waveform
A3a 1. Slow-Motion (Negative- And
Positive-Going)
A3b 2. Composition
C. Rectangular Waveform
A4a 1. Slow-Motion Audible Example (1/8-
1/2)
A4b 2. Composition (Using 1/8, 1/7, 1/3,
1/2)
D. Triangular Waveform
A5a 1. Slow-Motion Audible Example
A5b 2. Composition
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A6 E. White Sound Composition
III. Control Generators
A7a A. Transient Generator, Amplitude,
Frequency And Timbre Modulating In
Slow-Motion
A7b B. Sequential Voltage Sources.
Composition
IV. Frequency Modulation
A. Keyboard Control
B1a 1. 12-Tone
B1b 2. Quarter-Tone (One Real Octave
= 2 Keyboard Octaves)
B1c 3. Ditone (Four Real Octaves Played
In Keyboard Range Of One Octave)
B1d 4. Portamento
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B2 B. Ribbon Control
C. Periodic
B3a 1. Vibrato Ⓢ (Speed Increases
As Pitch rises)
B3b 2. Sine-Higher Frequency
B3c 3. Sawtooth-Swept
B3d 4. Rectangular 1/2-Swept L2
B3e 5. Triangular-Swept
D. Periodics Combined
B4a 1. 3 Square Waves At Different
Frequencies
B4b 2. 3 Triangular Waves At
Different Frequencies
B4c 4 Different Waveforms 2L 2N 2V
2S At Different Frequencies
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B5 E. White Sound
F. Transient
B6a 1. Up An Octave, Back To Pitch
B6b 2. Up A 3rd, Back To Pitch
B6c 3. Down An Octave, Back To Pitch
B6d 4. Down A 3rd, Back To Pitch
V. Amplitude Modulation
C1 A. Keybaord
C2 B. Ribbon Controller
C. Periodic
C3a 1. Tremolo
C3b 2. Sine-Higher Frequencies (S
Sweeping S)
C3c 3. Sawtooth (Negative- And
Positive-Going Swept)
C3d 4. Rectangular-L2 Swept
C3e 5. Triangular-Swept
D. Periodics Combined
C4a 1. 4 Square
C4b 2. 3 Triangular
C4c 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ
C5 E. White Sound
F. Transient
C6a 1. Slow
C6b 2. With Rising Pitch
C6c 3. ∧∧∧∧∧
VI. Ring Modulation
A. Sine Waves
C7a 1. Series Of Sub-Audible Constants
C7b 2. Tune In Parallel
C7c 3. Tuned In Opposite Direction
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C8 B. Sawtooth
C9 C. Rectangular L2
VII. Filtering
D1 A. White Sound - With Fixed Filters
Selected 3rd Octave
B. White-Sound-Tuned Filters
D2a 1. Broad
D2b 2. Sharp
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D3 C. Low-Frequency Sawtooth-Tuning
Through Harmonics
D4 D. Composition-Tuning Through 2nd,
3rd, 7th And 16th Harmonics
D5 E. Swept With Ribbon Controller
F. Periodic
D6a 1. Sine-Timbre Vibrato Effect
D6b 2. Sine-Variable Rate And Depth
D6c 3. Sawtooth (Descending And
Ascending)
D6d 4. Rectangular
G. Transient (Sawtooth With Transient
Controlled Filter)
D7a 1. -----------------
D7b 2. -----------------
D7c 3. ------------------
D7d 4. ------------------
VIII. Tape Delay
D8 A. Single Repeat
D9 B. Multiple Repeat
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D10 IX. Peace Three (Recap)